ΓΡΑΜΜΑ/GRAMMA: Περιοδικό Θεωρίας και Κριτικής, τεύχος 17

Περιεχόμενα\n\nIntroduction, Savas Patsalidis and Elizabeth Sakellaridou\n\nWriters on Writing\n\nThe Spoken Body and the Utopian Regard, Howard Barker\n\nBloody Music, Caridad Svich\n\nRe-positioning the Dramatic\n\nThe Musicality of Postdramatic Theater: Hans-Thies Lehmann’s Theory of Independent Auditory Semiotics, Catherine Bouko\n\nDramatic Text in the Recent French Theater: A Hybrid Form?, David Bradby\n\nFrom Work to Text, Then Where? Observations on French Postdramatic Poetics from 1980 Onwards, Dimitra Kondylaki\n\nThe Challenge of Neo-dramatic Writing in the Anglo-Saxon Theater, Avra Sidiropoulou\n\nWord and Spectacle: New Configurations\n\nCancer Langscapes and the (Digital) Art of Pain in Beth Herst’s Dark Room/Gray Scale/White Noise, Virginia Dakari\n\nResonant Silence: Love, Desire, and Intimacy in Suzan-Lori Parks’s Venus, Lisa Mendelman\n\nA Postdramatic Composer in Search of a Dramatic Aesthetic, or, the Apotheosis and Decline of Andrew Lloyd Webber, Vagelis Siropoulos\n\nText as Texture\n\nIdeology of Form in Storytelling Theater: The Politics of Inter-medial Adaptation in Discovering Elijah, A Play about War, Daphna Ben-Shaul\n\nOld Age as Theatrical Matter: Devising and Performing CollAge, a Play on the Masks and Mirrors of the Ageing Process, Nuria Casado Gual\n\nDeveloping a New Program: The “Creator-Researcher Actor” as a “Postdramatic Writer”\nDorit Yerushalmi, Mediascape Alterities\n\nPuntos de Fuga (Vanishing Points): Performance Writing for the Digital Theater, Johannes Birringer and Angeles Romero, \nWill He or Won’t He? Shakespeare’s Stage Presence in the Media Age, Johan Callens\n\nUndoing Anatomy: Resisting Global Choreographies in the Capitalism of Affects, Jaime del Val\n\nReview Essay\n\nViolence: An All Time Classic, Savas Patsalidis\n\nBook Reviews\n\nThe Theatre of Societas Raffaello Sanzio (edited by Claudia Castellucci, Romeo Castellucci, Chiara Guidi, Joe Kelleher and Nicholas, Reviewed by Freddy Decreus\n\nRimini Protokoll. Experten des Alltags. Das Theater von Rimini Protokoll (edited by Miriam Dreysse and Florian Malzacher), Reviewed by Thomas Irmer\n\nFound in Translation: Greek Drama in English and Euripides Our Contemporary (by J. Michael Walton), Reviewed by Marianne McDonald\n\nChinese Shakespeares: Two Centuries of Cultural Exchange (by Alexander C.Y. Huang), Reviewed by Lissa Tyler Renaud