ΓΡΑΜΜΑ/GRAMMA: Περιοδικό Θεωρίας και Κριτικής, τεύχος 22 (2)

Περιεχόμενα From the Years of Utopia to the Years of Dystopia, Savas Patsalidis and Anna Stavrakopoulou The Geographies of Contemporary Greek Playwriting The Diverse Landscape of Contemporary Greek Playwriting, Lina Rosi Greek Society During the Period of Crisis: The Role of History as a Mechanism of Repelling the Present, Theodoros Grammatas Transformations of “Home” in Contemporary Greek Drama: From a Domicentric View toward Space Decenterings, Ioanna Alexandri The “Polis” and the “Political” in Contemporary Greek Drama since the Eruption of the Greek Crisis: A First Appraisal (2009 -2015) Dimitra Kondylaki About Sameness, Otherness, Authenticity, and Hybridity “Facing Mirrors”: Contemporary Greek Theatre Productions and the Issue of Identity, Grigoris Ioannidis Self and Other in Aeschylus’ Persians. A propos de Gotscheff, Eleni Papazoglou Crisis, Ruptures, and the Rapture of an Imperceptible Aesthetics: A Recent History of the Hellenic Festival, Eleftheria Ioannidou and Natasha Siouzouli Directors’ Theatre in Greece: Stages of Authorship in the Work of Michael Marmarinos, Yiannis Houvardas, and Theodoros Terzopoulos, Avra Sidiropoulou Refashioning Dramaturgy: A Stage Rewriting of a 19th-c. Play in 2013 Greece, Ioulia Pipinia and Andreas Dimitriadis Alternative Geographies of (Re)Acting, Reframing the Real: The Blitz Theatre Group and the Awareness of Time, Katia Arfara Greek History as Environmental Performance: Iannis Xenakis’ Mycenae Polytopon and Beyond, Marina Kotzamani The Streets Belong to the People: Scenes and Heterotopias in the City, Giorgos Pefanis Whose Performance? The Politics of Protest and Terror in Greek Civic Life, Elizabeth Sakellaridou Review Essays Resonances: The Sound of Performance, Johannes Birringer Non-Still Life: A Mosaic Portrait of Dimitris Papaioannou, Katerina Delikonstantinidou Book Reviews Angelaki, Vicky, ed. Contemporary British Theatre: Breaking New Ground. Basingstoke: Palgrave Macmillan, 2013. Pp 192. ISBN: 978-1-137-01012-4., Reviewed by Elzbieta Baraniecka Durham, Leslie Atkins. Women’s Voices on American Stages in the Early Twenty-First Century. Sarah Ruhl and her Contemporaries. New York: Palgrave, Macmillan, 2013. Pp 215. ISBN: 978-1-137-28710-6., Reviewed by Noelia Hernando-Real McConachie, Bruce. Theatre and Mind. New York: Palgrave Macmillan, 2013. Pp 82. ISBN: 978-0-230-27583-6., Reviewed by Barbara Ozieblo Rabey, David Ian, and Sarah Goldingay, eds. Howard Barker’s Art of Theatre: Essays on his Plays, Poetry and Production Work. Manchester: Manchester UP, 2013. Pp 238. ISBN: 978- 0-7190-8929-9. Reviewed by Chris Megson Rapti, Vassiliki. Ludics in Surrealist Theatre and Beyond. Farnham, Surrey: Ashgate, 2013. (Series: Ashgate Studies in Surrealism.) Pp 210. ISBN 978-1-4094-2906-7. Reviewed by Ioulia Pipinia Contributors