ΓΡΑΜΜΑ/GRAMMA: Περιοδικό Θεωρίας και Κριτικής, τεύχος 22 (2)

Περιεχόμενα Introduction From the Years of Utopia to the Years of Dystopia , Savas Patsalidis and Anna Stavrakopoulou The Geographies of Contemporary Greek Playwriting The Diverse Landscape of Contemporary Greek Playwriting, Lina Rosi Greek Society During the Period of Crisis: The Role of History as a Mechanism of Repelling the Present, Theodoros Grammatas Transformations of “Home” in Contemporary Greek Drama: From a Domicentric View toward Space Decenterings, Ioanna Alexandri The “Polis” and the “Political” in Contemporary Greek Drama since the Eruption of the Greek Crisis: A First Appraisal (2009 -2015), Dimitra Kondylaki About Sameness, Otherness, Authenticity, and Hybridity “Facing Mirrors”: Contemporary Greek Theatre Productions and the Issue of Identity, Grigoris Ioannidis Self and Other in Aeschylus’ Persians. A propos de Gotscheff, Eleni Papazoglou Crisis, Ruptures, and the Rapture of an Imperceptible Aesthetics: A Recent History of the Hellenic Festival, Eleftheria Ioannidou and Natasha Siouzouli Directors’ Theatre in Greece: Stages of Authorship in the Work of Michael Marmarinos, Yiannis Houvardas, and Theodoros Terzopoulos, Avra Sidiropoulou Refashioning Dramaturgy: A Stage Rewriting of a 19th-c. Play in 2013 Greece Ioulia Pipinia and Andreas Dimitriadis Alternative Geographies of (Re)Acting Reframing the Real: The Blitz Theatre Group and the Awareness of Time, Katia Arfara Greek History as Environmental Performance: Iannis Xenakis’ Mycenae Polytopon and Beyond, Marina Kotzamani The Streets Belong to the People: Scenes and Heterotopias in the City, Giorgos Pefanis Whose Performance? The Politics of Protest and Terror in Greek Civic Life, Elizabeth Sakellaridou Review Essays Resonances: The Sound of Performance, Johannes Birringer Non-Still Life: A Mosaic Portrait of Dimitris Papaioannou, Katerina Delikonstantinidou Book Reviews Angelaki, Vicky, ed. Contemporary British Theatre: Breaking New Ground. Basingstoke: Palgrave Macmillan, 2013. Pp 192. ISBN: 978-1-137-01012-4., Reviewed by Elzbieta Baraniecka Durham, Leslie Atkins. Women’s Voices on American Stages in the Early Twenty-First Century. Sarah Ruhl and her Contemporaries. New York: Palgrave, Macmillan, 2013. Pp 215. ISBN: 978-1-137-28710-6., Reviewed by Noelia Hernando-Real McConachie, Bruce. Theatre and Mind. New York: Palgrave Macmillan, 2013. Pp 82. ISBN: 978-0-230-27583-6., Reviewed by Barbara Ozieblo Rabey, David Ian, and Sarah Goldingay, eds. Howard Barker’s Art of Theatre: Essays on his Plays, Poetry and Production Work. Manchester: Manchester UP, 2013. Pp 238. ISBN: 978- 0-7190-8929-9., Reviewed by Chris Megson Rapti, Vassiliki. Ludics in Surrealist Theatre and Beyond. Farnham, Surrey: Ashgate, 2013. (Series: Ashgate Studies in Surrealism.) Pp 210. ISBN 978-1-4094-2906-7., Reviewed by Ioulia Pipinia Contributors